El espejo frente al espejo.

Construir una paz basada en la coexistencia entre israelíes y palestinos es un camino arduo. De eso somos testigos cotidianos. Los obstáculos no sólo se encuentran en las involuntades políticas o “las pre-condiciones para negociar las negociaciones” a las que nos tienen habituados los débiles liderazgos de Israel y Palestina. También en la dimensión social, donde se han logrado los mayores avances de acercamiento, encontramos muros de desconfianza que aportan poco o nada al proceso de construcción de paz. El periodista Gil Zohar documenta en Peace without dialogue? Impossible (Common Grounds News Service) su experiencia en ese sentido en el contexto del festival cultural palestino (Al-Quds Underground) en Jerusalén oriental.

Del otro lado de la moneda, un video de Peace it Together (proyecto documentado en marzo pasado en Frente al Espejo – ver aquí), nos muestra el detrás de cámara que llevó a 10 adolescentes israelíes y 10 palestinos a derribar el muro que se interpone entre ellos.

Peace without dialogue? Impossible Gil Zohar

JERUSALEM - There aren’t too many English-language journalists who have covered Arab Jerusalem as I have for In Jerusalem in recent years—reporting on everything from a home in Anata built and demolished four times and now facing a fifth demolition order, to the first shopping mall along east Jerusalem’s main street Salah a-Din Street which received a building permit after 42 years of bureaucracy; from the al-Mamal Foundation for Contemporary Art inside the New Gate, to a conference on Palestinian refugees at al-Quds University in Abu Dis. These are all stories I have reported in an objective manner. Thus it happened that last weekend I duly RSVP’d to a guests-only invitation to the Al-Quds Underground, touted as an unconventional festival with more than 150 small shows in private spaces in the Old City. Performances included music, storytelling, dancing, short acts and food. Locations were living rooms, a library, courtyards, gardens and more unique places. My expectation of a celebration of Jerusalem’s diversity was dashed, however, when I arrived late Saturday afternoon at the Damascus Gate meeting point. Politely asked in English by Jamal Goseh, the director of the a-Nuzha Hakawati Theater near the American Colony Hotel, “Where do you live?” I responded in Arabic that I live in Jerusalem. From my accent and appearance, he discerned that I am an Israeli. Al-Quds Underground’s artistic director Merlijn Twaalfhoven of Amsterdam then told me, along with some Israeli peace activists who had arrived, that we were not welcome. My reply that I had been invited was to no avail, nor was my guarded threat to pen an expose of their discrimination. And so here it is. For the sake of fairness, I met Twaalfhoven the next day to allow him an opportunity to explain… or dig himself a deeper hole. (Goseh declined my request for an interview.) “We want to bring art to the world,” he began. “I sometimes break through the boundaries between art and life. That is the core of my work.” A visionary creator of art happenings such as a dance performance at the Jalazoun refugee camp near Ramallah and the Long Distance Call concert on the rooftops of the Turkish half of the divided Cypriot city of Nicosia, Twaalfhoven said he had vaguely heard that the Arab League had chosen Jerusalem as Al-Quds 2009 Capital of Arab Culture and that the Israeli government had banned the festival as a political event forbidden under the Oslo Accords. “I don’t know the details. I thought it was a good idea to bring people together.” Twaalfhoven then added, “The local people told me months ago that Israelis cannot go. Our team [of 12 Dutch activists and eight artists] had to promise that we would not allow peaceful Israelis to come.” Apologetic over what had happened, he then spilled the beans. The €50,000 project was funded by the European Union through the Dutch charity Cordaid and the Alexandria-based Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures. To have said no to discrimination would have meant to scuttle the budget. Al-Quds Underground’s no-Israelis rule is part of a larger policy set by the Palestinian Boycott Divestment and Sanctions (BDS) National Committee. This BDS movement, founded in 2005, can take credit for the cancellation of Leonard Cohen’s September concert at the Ramallah Cultural Palace. Similarly in 2007, BDS activists succeeded in getting Canadian rock ‘n’ roll star Bryan Adams to pull the plug on back-to-back concerts in Jericho and Tel Aviv. Organised by the New York-based One Million Voices, the concerts were intended to promote a two-state solution to resolve the festering Palestinian-Israeli conflict. BDS activists in Europe and elsewhere aim to isolate and discomfit Israel just as South Africa’s apartheid regime was targeted in the 1980s. This rejection of normalisation of relations is a historic and strategic mistake based on the false analogy between apartheid and Zionism. Never mind the snub I received Saturday. On a broader level, the BDS movement is missing the point that peace is best promoted at a grassroots level, person to person, Jew to Arab, and Arab to Jew. Those who think Israel can be pressured into coexistence are mistaken. Two states for two peoples will be embraced when enough people demand it. BDS fosters the illusion that Palestinians can achieve their goal of statehood without ever accepting Israel and Israelis. Boycott, divest and sanction? I respond, Embrace, invest and encourage. Peace starts among people. Anyone unprepared for honest dialogue with the other is suffering from acute xenophobia. As Black Panther activist Eldridge Cleaver once remarked, “You’re either part of the solution or you’re part of the problem.” ### * Gil Zohar is a journalist in Jerusalem. This article is distributed by the Common Ground News Service (CGNews) with permission from The Jerusalem Post. Source: The Jerusalem Post, 08 November 2009, http://www.jpost.com Copyright permission is granted for publication